The basics (pinned — scroll down for current updates)

(Updated August 7, 2025)

This is a pinned post, scroll down past it for current updates to the blog.

SUPPORT THIS CARTOON: subcribe to Sparky’s List as if Sparky’s life depends on it! Because it kind of does!  You’ll get to read the cartoon a day before it goes live anywhere, and you’ll get exclusive access to my weekly newsletter, featuring behind-the-scenes notes about each cartoon and various supplementary ramblings. And you’ll be helping to keep this cartoon sustainable in a media environment that grows more challenging by the day.

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A sample of the newsletter

If you’re wondering what, exactly, you might gain access to if you subscribe to Sparky’s List, here’s the newsletter that went out this week with an advance peek at the Large Language Muddle cartoon. This one’s probably wonkier than usual, but it gives you a general idea of how I try to provide background notes and a look at my work process, and also just throw in random stuff of interest.

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Okay friends, buckle up! This week’s newsletter is mostly a deep dive into the LLM weeds. If that stuff bores you, please be sure to scroll down to the bottom, where there are some breaking updates from the world of Tomorrow.

I’ve been told that one of my skills as a cartoonist is the ability to condense complicated subjects into a coherent, comic-sized summary. I’d like to believe it’s true, but boy did this week’s cartoon put that to the test. It took me almost three full days to write the text for this cartoon (I can usually do it in one, two at the most), going through endless drafts, figuring out the bare minimum of necessary exposition, and trying to make sure I was properly understanding the analysis of people far more informed on the topic than myself. (Specifically, Cory Doctorow, Ed Zitron, and Cal Newport.)

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MAD man

Note: this essay originally appeared in Flaming Hydra; thanks to Maria Bustillos and Zach Rabiroff for editorial guidance.

I grew up on MAD Magazine, and it had a profound impact on both my creative sensibilities and my general outlook on the world. Through the subversive satire of MAD, a whole generation of kids in the 1960s and 1970s learned to distrust advertising, politicians, and authority in general—all of which turned out to be lessons that would serve me well in life. And on a specifically personal note, it’s obvious that I was heavily influenced by the magazine’s text-heavy movie and TV parodies. Whenever someone suggests that my cartoons have “too many words,” I just want to say: have you ever seen an issue of the 20th century’s preeminent journal of satire and whimsical commentary, cleverly disguised as a comic magazine for children? 

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In which your host requests a small favor

Remember that episode of Star Trek:TNG where Beverly Crusher gets caught in a collapsing warp bubble and the entire universe shrinks down around her? That’s kind of what has been happening to TMW over the past decade, in terms of publishing outlets. I’m lucky enough to still have Daily Kos, TinyView, and a decent handful of weekly newspapers across the country, but I would like to push back against the forces of entropy. If you live somewhere with a surviving altweekly that’s not running TMW, please write them a quick note and let them know how much you’d enjoy seeing the cartoon in their pages. The same goes for prominent left-leaning magazines and websites. And of course, please consider joining Sparky’s List, the primary engine driving this train these days. Thank you!

Our Long National Nightmare

At the end of last year, unable to find a publisher, I decided to Kickstart a compilation of TMW cartoons from 2020-2025. The campaign was an overwhelming success, ultimately raising $137,833 (technically more like $150K, as we collected postage separately). We printed a small amount of overage to cover for damaged or lost copies, and the very last books are currently available at the Topataco store (signed or unsigned). Grab one while they last!